By Michael Mignola and John Byrne
This is the collection of the first Hellboy miniseries. It’s also part of the first Finnish Hellboy trade.
The first chapter is set in the final years of WWII when the Nazis are trying to get magical help. A mysterious magician performs a mighty spell which seems to go somewhat wrong.
He was supposed to summon a miracle for the Nazis but nothing happens. Meanwhile, a group of British and USAians are in East Bromwich where something magical is supposed to happen. The group consists of soldiers and three paranormal people. In the end, a scary looking little boy appears. The boy is taken in by the paranormals who are members of BPRD, the Bureau for Paranormal Research and Defense.
The next chapter opens 50 years later. The little boy has grown up to be Hellboy, one of BPRD’s best agents. He still doesn’t know where he came from or why.
Hellboy’s old adoptive father, professor Trevor Bruttenholm, has taken part in an expedition which was seeking something mystical from the Northern Polar Regions. It was believed that the expedition perished just like all the previous ones. However, Bruttenholm survived. He tells Hellboy about a weird statue and how he has lost some of his memories. Soon, a group of frogs appears and Bruttenholm is killed. Hellboy battles a human-sized frog creature whose tongue can make his arm go numb. Even though Hellboy kills the creature, he’s only clues are the other members of the expedition. They were three young men from a famous explorer family of Cavendish. Hellboy’s small team goes to the Cavendish Hall which is rumored to have been built on cursed land.
The story is told mostly from the point-of-view of Hellboy who has to face not only the death of the only parent he has ever known but also the possibility of knowing more about his purpose on Earth – which is likely not a benevolent one. However, he has had a long time to live with the uncertainty. He’s not a brooding teenager but a professional who has a job to do.
His team mates are interesting and I hope we get to know more about them in the later stories. This time we barely got a glimpse of them. Abe Sapien, the amphibian paranormal, was found in an underground tube where he could have been a long time. He seems to be a consummate professional as well. Liz Sherman is a pyrokinetic whose power was first so uncontrolled that she burned her family to death when she was ten. That must have left a lot of traumas and yet she has a job where she probably has to use her powers. She spends most of the comic off-screen so we don’t learn much about her.
Perhaps the most striking thing about the comic is the atmosphere. There are quite a few Lovecraftian monsters around and magic is real. I could even compare Hellboy to sword and sorcery –type fantasy stories where the magicians are almost always evil. There are some references to real myths, especially in the artwork, and Hellboy himself seems to have come out of one, as well.
The artwork is different than the current manga-style or the sleek superhero -style which I’m mostly used to, but that’s good. It emphasizes the setting, the feeling of mythology, and creates a unique feel to the comic.
The first Finnish trade contains Seed of Destruction, Wake the Devil, and one of the later short stories. It’s in black and white which gives the stories perhaps a more intense atmosphere than the standard four color comics.
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