WATCHMEN is the graphic novel that completely changed the comic book industry forever. The book is a deconstruction of comics that forces a person to challenge the way they view life and the events that happen in the news. It’s also a great story. However, as good as it is, WATCHMEN isn’t a great piece of literature (though it comes close); there’s just too many comic conventions involved in both the art and story. Therefore, though WATCHMEN isn’t a great piece of literature, it is a great comic. Whatever the case, if you’re a fan of comics at all or have any interest in the history of pop culture, this is one graphic novel that you should definitely read.
September 21, 2009
WATCHMEN
WATCHMEN is the graphic novel that completely changed the comic book industry forever. The book is a deconstruction of comics that forces a person to challenge the way they view life and the events that happen in the news. It’s also a great story. However, as good as it is, WATCHMEN isn’t a great piece of literature (though it comes close); there’s just too many comic conventions involved in both the art and story. Therefore, though WATCHMEN isn’t a great piece of literature, it is a great comic. Whatever the case, if you’re a fan of comics at all or have any interest in the history of pop culture, this is one graphic novel that you should definitely read.
SUPERMAN & WONDER WOMAN: WHOM GODS DESTROY
Set in alternative timeline where the Third Reich didn’t lose WWII and Germany and much of Eastern Europe is still under control of the Nazi regime against a backdrop that the gods, goddesses, and monsters of mythology are actually real and have returned to meddle in human affairs, the four-part SUPERMAN WONDER WOMAN: WHOM GODS DESTROY is one of the worst Elseworld stories I have ever read. Most Elseworld stories are kind of hooky, but charming with about as much substance as a dime-store novel. There have been a few Elseworld stories that are quite spectacular, e.g. RED SON. However, sometimes there’s an Elseworld story that attempts to be monumental but is in really just trash, such as SUPERMAN: AT EARTH’S END. SUPERMAN WONDER WOMAN: WHOM GODS DESTROY is another.
The basic plotline begins with an elderly
es are high. Superman is bewitched by Circe and turned into a centaur; Lana Lang is given the power of the Oracle of Delphi and turns young; and when one of the Greek goddesses dies after a battle with the German army, she bestows all of her powers to Lois who becomes a new Wonder Woman. The original Wonder Woman has betrayed her brethren of
I read SUPERMAN WONDER WOMAN: WHOM GODS DESTROY because the basic premise of Superman and Wonder Woman fighting incarnations of the Greek gods was one I found interesting. However, I was appalled by the storyline in which the premise is delivered. The characterization of Superman is completely off wit
h the Man of Steel behaving more like a troubled teenager than the hero he is. Then there’s the whole concept of the Third Reich still existing. Anytime a comic book has to fall back on a Third Reich that somehow won WWII and wasn’t defeated, you know the story is going to be bad. In fact, the only real reason I can see that this entire plot was brought about was so that
This series was written by legendary Marvel writer Chris Claremont.
The only reason I can offer for reading this book is for the eerie prediction of Sept. 11th from Superman’s typewriter and